#Uriah heep band full

MB: Coming back to your band, how many years have you been playing with people who will come out today on the stage of the Odessa Sports Palace? And what is the size of the entire staff of Uriah Heep?īernie: We have been playing together for 20 years. MB: So you want to shake hands with fans?īernie: Of course! This is how we act at the end of the performances! MB: In fact, the safety of musicians is the first responsibility of the organizers!īernie: In general, yes, but sometimes they go too far. Although sometimes there are one or two hyperactive fans that need to be cooled. It is unlikely that someone will strongly want to raise a racket. Unfortunately, there are always too many guards, which, at times, are taken to pacify the guys, spoiling their mood, while our work is to improve the mood for people. During every concert of our Ukrainian tour, the halls are filled with people who spend their time wonderfully. As for the fans, we are always taken in good part. It seems that every time we come back to Ukraine, everything here is getting a little better than it was at the time of our past visits. I would like to know how you feel about the Ukrainian fans and the quality of the organization of concerts?īernie: The current organization is much better than the previous ones. MB: You are in Ukraine for the third time. This year, the celebration of the 36th anniversary will be reflected in the world tour. MB: Do you usually celebrate important dates related to your band?īernie: We usually celebrate such events with studio records, recordings of live performances. Collector's note: The American version of this album had different cover art (the tank on the British edition was replaced by a gruesome image of man tearing out of his own skin) and replaced 'Bird of Prey' with a bluesy B-side entitled 'Simon the Bullet Freak.Magic Box: How long has your band existed?īernie Shaw, Uriah Heep, vocal: We began in 1970, respectively this year – our 36th anniversary. All in all, Salisbury is too unfocused for the casual listener but offers enough solid songs for the Uriah Heep completist. Another problem is that the overly busy brass and woodwind arrangements that have been grafted onto it intrude on the group's sound instead of fleshing it out. However, Salisbury is undone by its title track, the 16-minute track that dominates the album's entire second side: it feels more like a lengthy jam session instead of a prog epic with distinctive and carefully crafted sections.

It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley. The big surprise on this side is 'The Park,' a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards.

#Uriah heep band full

Highlights on the song-oriented side include 'Bird of Prey,' a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and 'Lady in Black,' a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition. On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity.